Revisiting Stella Dallas from a cognitive theory of film
$ 7.50 · 4.8 (272) · In stock
Different approaches address melodrama from different perspectives and usually focus on different aspects of a melodramatic production. Most of the approaches rely heavily on theories in ways of understanding melodrama. A cognitive theory of film focuses on the way audiences in general perceive a film. Staying within the framework of a cognitive theory of film, I have analyzed audience’s comments on Stella Dallas (1937) found at customer’s review. The analysis is supported by a close reading of the last sequence of the film.
Reading Against the Grain Revisited
(PDF) Information, reception and film: A reader-response analysis of Rashomon
PDF) Melodrama and film noir on today's big screen: How modern audiences experience yesterday's classics
Stella Dallas (1925) – That William Powell Site
Film International
Stella French - Facebook, Instagram, Twitter [Profiles]
The Routledge Companion to Philosophy and Film
PDF) Information, reception and film: A reader-response analysis of Rashomon
Revisiting Stella Dallas from a cognitive theory of film
Criterion Channel on X: Grab some tissues and get ready to
Stella French - Facebook, Instagram, Twitter [Profiles]
Stella Dallas (1925): a melodrama that quickens the pulse