Basquiat Skull Hoodie – ROME PAYS OFF
$ 114.00 · 4.6 (452) · In stock
This medium weight fleece hoodie features a yellow-gold embroidered crown on the upper left of the hoodies front, and the bold image of Basquiat’s skull from 1983 printed across the back. The black hoodie features a kangaroo pocket, which has a sewn-in woven tag featuring handwritten text pulled from one of Basquiat’s
This medium weight fleece hoodie features a yellow-gold embroidered crown on the upper left of the hoodies front, and the bold image of Basquiat’s skull from 1983 printed across the back. The black hoodie features a kangaroo pocket, which has a sewn-in woven tag featuring handwritten text pulled from one of Basquiat’s famed notebook pages.
100% Cotton Fleece
Unisex, adult size XS to XL, Relaxed Fit
Line hood
Kangaroo pockets
Made in Portugal
Machine wash cold with like colors; Do not bleach; Do not iron design
About the artwork: Jean-Michel Basquiat often created skull and head paintings throughout his career. His use of skulls is rooted in his identity as a Black artist in America, with the gestural painting reminiscent of African masks. They also present his Haitian heritage on Basquiat’s father’s side—specifically the Vodou religion, which is full of skull symbolisms.
Untitled (Skull), 1983 © Estate of Jean-Michel Basquiat Licensed by Artestar, New York
This medium weight fleece hoodie features a yellow-gold embroidered crown on the upper left of the hoodies front, and the bold image of Basquiat’s skull from 1983 printed across the back. The black hoodie features a kangaroo pocket, which has a sewn-in woven tag featuring handwritten text pulled from one of Basquiat’s famed notebook pages.
- 100% Cotton Fleece
- Unisex, adult size XS to XL, Relaxed Fit
- Line hood
- Kangaroo pockets
- Made in Portugal
- Machine wash cold with like colors; Do not bleach; Do not iron design
About the artwork: Jean-Michel Basquiat often created skull and head paintings throughout his career. His use of skulls is rooted in his identity as a Black artist in America, with the gestural painting reminiscent of African masks. They also present his Haitian heritage on Basquiat’s father’s side—specifically the Vodou religion, which is full of skull symbolisms.
Untitled (Skull), 1983
© Estate of Jean-Michel Basquiat
Licensed by Artestar, New York
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